Victims or Actors? Part 2

Fiction as news

The nub of the issue currently causing dispute in relation to the Manchester arena incident is not whether the media or government lie, but rather the extent to which they lie. It is considered offensive to question the accounts of victims. To do so seems callous or unduly cynical without awareness of a wider context.

Do false flag events involve actors?

On the morning of 9/11 a man in a Harley Davidson t-shirt appeared on Fox News to inform the world that he had witnessed the Twin Towers collapse, “mostly due to structural failure because the fire was just too intense.” The man, introduced as Fox freelancer, Mark Walsh, was accompanied by two men in black, one of whom, when questioned, answered, “I can't say what role I'm playing right now.” Walsh's contribution seeded in the public mind the official explanation for the fall of the Twin Towers, but it seems inauthentic, even before we notice that he begins it with a 666 hand symbol.

The story about hijackers armed with boxcutters on 9/11 comes from US Solicitor General Ted Olson. As early as the day of the attack and in subsequent television interviews he claimed that his wife, TV personality Barbara Olson, had called him twice from Flight 77 which hit the Pentagon. Submissions made by the FBI for the trial of Zacarias Moussaoui in 2008 suggest, “those calls never happened.” Despite various official explanations, under close examination the calls seem to be impossible and Olson’s account to be implausible. His story remains a foundation of the ongoing war of terror.

Are we permitted to question the behaviour of this grieving man?

(We are too late now as he died while I was writing this piece. Or so we are told -joke).

Similarly the calls from the stewardesses onboard the doomed 9/11 flights are fraught with inconsistencies and errors that suggest they were inauthentic. Researchers have considered whether the stewardesses were persuaded or coerced into making them, perhaps thinking they were partaking in a drill.

Are we permitted to question the role of these victims?

At the press conference marking their moment of triumph the astronauts of Apollo 11 spoke as though under duress. They were later rewarded with a plaque on Hollywood Boulevard -an honour usually reserved for prominent actors. Subsequent interviews with Apollo astronauts suggest either unlikely ignorance, deception, or both.

In 2020, the media’s presentation of the scamdemic began with footage of collapsing figures in Wuhan, showing a dead man in three locations. A (possibly) different man, struck down by the sudden onset of sickness, had the wherewithal to break his fall with his arms. Western audiences were also shown footage of Chinese authorities putting bars on people's doors to isolate them in their homes.

Should more people have questioned this footage and these victims? How differently might things have turned out if more people had done so?

As I have written before, we appear to have been misled about Boris Johnson's alleged illness in March 2020. He now says that it was "very mild," and, contradicting media reports made at the time, St. Thomas’ hospital has since admitted it made no preparations to announce his death. Prime Minister Johnson, Health Secretary Matt Hancock and the then Prince of Wales all claimed to be afflicted with the alleged novel coronavirus in a 24 hour period at the start of an unprecedented national lockdown.
Should we have questioned these purported victims?

During the lockdown period we were subjected to a barrage of propaganda. In the early stages social media was awash with photographs of coffins reported to be from Bergamo in Italy in 2020, that were later shown to be from a boating disaster from the Italian island of Lampedusa in 2013. In March 2020, the same footage of an emergency room was reported as being in three different locations; as Bergamo by Sky News, New York on CBS, and Melbourne by 7 News.

As I wrote when tackling the subject of anti-lockdown leaders who gained the trust of dissidents before publicly accepting or endorsing the covid vaccines:

In 2020 it was reported in the Guardian that NHS bosses planned “to enlist celebrities and ‘influencers’ with big social media followings in a major campaign to persuade people to have a Covid vaccine amid fears of low take-up.” The UK government had already paid social media influencers and reality TV stars to promote the ill-fated NHS test and trace service. In the US, media outlet Judicial Review forced the release of documents that uncovered the Biden Administration's heavily funded and wide-ranging propaganda campaign, to push the covid injections. This plan included engaging sports stars and franchises, social media influencers, screen writers, comedians, podcasts and Christian leaders and media networks.

Some of those people enlisted as propagandists may have supported the measures they promoted but it is also possible that some did not. In both cases their videos and words were performative, and produced under direction and due to financial incentives which were not declared to their audiences.

As the plandemic progressed and people began to question it, videos appeared that showed bemused onlookers apparently watching pandemic theatre, and that called into question the supposed threat being presented in hospitals. One German woman claimed to be paid to be filmed simulating illness in a hospital.

Independent investigation into those presented as victims in British hospitals, revealed their acting backgrounds. Actor Tara Langston primed British audiences for the effects of the state-sponsored plague in March 2020. Her performance is listed on her IMDB profile. Actor and freemason David Abel documented events on the quarantined Diamond Princesss cruise ship before being pictured in a national newspaper wearing a t-shirt with a masonic symbol and the slogan ‘don’t trust anyone.’

In 2021, actors Matthew Roche, Paul Godfrey, and Marcus Birks, appeared on national television to warn of the effects of the fake plague on healthy young people and to urge take-up of the fake vaccinations that were then being offered to that demographic. For the BBC, Marianna Spring rejected accusations that the unfortunately named Henry Dyne, another man to succumb to this timely spate of televised illness, was an actor. After urging people to take the vaccine, one time,“anti-vaxxer,” “Marcus Birks, 40, died from Covid-19 after choosing not to receive a vaccine jab.”

In September of 2021 the NHS was advertising for actors to play roles, “including hospital patients, and care home residents,” for unspecified projects. During their roll-out, there were persistent reports of the faked administration of the fake vaccines, some of which were addressed by the financially compromised and therefore fake fact-checkers.

Infamously, CNN faked TV news broadcasts during the 1990 Gulf War in which their reporters acting in a studio comically pretended to be in Saudi Arabia and subject to an air raid. American audiences have since become accustomed to discovering reporters faking extreme weather conditions, when the effects of floods and high wind simulated by reporters are exposed by casual passers-by. British audiences saw a similar contrast after the alleged assassination attempt on Donald Trump when BBC reporter Gary O'Donoghue added drama to his report by presenting it lying down, 'taking cover,' as people strolled by behind him.

In recent years criticism of state narratives has been subject to the dissembling of BBC's accurately titled, ‘disinformation specialist,’ Marianna Spring, who apparently secured the job by submitting a CV in which she demonstrated her preparedness to lie. Spring described the 'Great Reset' as an unfounded 'conspiracy theory,' despite its launch by then Prince Charles having been reported by her employers and documented by the World Economic Forum, whose representatives and afficianados relate its plans for surveillance and control.

The vaccine lies alone expose the media as the fiction department. For many people it may have been their first time noticing this but it was far from the media’s first rodeo.

Part 3 is here.